Word Wenches

Peacock Splendor—A Gallery of Regency Military Men

Andrea here. Summer may be just starting here in the northern hemisphere, but the book calendar means that I’m already in “Autumn mode” for the upcoming release of my new Wrexford & Sloane mystery. MURDER AT THE SERPENTINE BRIDGE will hit the shelves on September 27 . . . By the by, my publishers is doing a Goodreads giveaway of 100 free ARC copies. Just click here by July 1 to enter for a chance to win! 


On my end, I, too, am starting to think about promo stuff. An introvert at heart, I would rather be writing the stories. But this book is particularly fun to talk about. There are times when an author get extraordinarily lucky and history provides a setting for a mystery more perfect than any author would dare to make up!

The actual Peace Celebrations which were held in London during June of 1814 play a leading role in the book’s plot. I’ll be talking more about the specific events in later blogs. Today, however, I’m musing about the pomp and splendor of the famous guests—especially the victorious military brass—who came from all over the Continent to celebrate the defeat of Napoleon (this is, the first defeat!) and his exile to the isle of Elba.

The WordWenches Have Moved

Hi everyone, Anne here, and this is the last Wench blog on the typepad platform.

We’re now using WordPress, which means the blog has a different internet address.  This is the new one.

https://wordwenches.com/
While you’re at it, bookmark the new address so you‘ll find us every time.

If you want the blog emailed to you, you need to go to the new site, and in the right hand column you will see this form. Pop in your email address, and the blog will come to you.  

(The image on your right is just a photo, you need to go to the new site to fill in the form and get our posts by email.)

We won't share your address with anyone.

Thanks so much.

See you on the new blog.

Anne Gracie (on behalf of the Word Wenches)

 

What We're Reading in October

Nicola here, introducing the ever-popular Wenches monthly round up of what we've been reading. As always, our virtual shelves are groaning beneath the weight of recommendations and we hope you will share your reads with us - and add to the TBR pile! - as well as enjoy some of the books we're talking about. October is the perfect time to curl up with a good book, so without further ado, let's dive in!

Anne here. The standout read for me in October was Some of it Was Real, by Nan Fischer. It’s a contemporary, and though there’s a relationship, it’s not really a romance. Sylvie Young is a psychic-medium, a rising star on the verge of having her own TV show. Thomas Holmes is a journalist looking to resurrect his failing career by writing a story exposing her as a fraud. Thomas doesn’t believe in Sylvie’s “powers” and calls people like her “grief vampires” who prey on people’s distress.

Mysteries surround Sylvie’s early childhood. Adopted at the age of six, she has no memories of the time before that — and what little she does remember is fractured, comes in dreams, or sparks panic attacks. Sylvie decides to take Thomas on a journey with her to discover what they can about her past. She hopes he will learn to accept and believe in her powers — even though she’s not entirely confident of them, and augments them with research about her audience — which she calls “forming bridges”. It’s a complicated situation. And Thomas is determined to prove her a fraud.

In Command

Andrea here, talking about an often-overlooked element of writing a book—the Author’s  Note. When I started my Wrexford & Sloane series, I decided an explanation about some of the elements in the plot would  be helpful to readers. First of all, early science and technology plays a big part in the stories, many of the things mentioned are esoteric enough that readers might not have a handle on what I was talking about. (As an avid reader, I find that frustrating, and don’t want to have to go haring off to find research material on my own!) And so, I added an Author’s Note to the first book.
 
I confess, they have grown longer with each successive book, as I find it fun to share some of the “rabbit hole” research that tickles my fancy. I’ve gotten a number of letters to indicate that some readers enjoy the nerdy stuff as much as I do. (I figure those who aren’t interested can simply close the covers.)
 
I do try to think of all the things that might need some clarification (without going overboard) But in my latest book, MURDER AT THE MERTON LIBRARY, I got several reader queries about a few scenes in the book where I have a twelve-year-old midshipman in the British Navy was commanding a naval vessel with a crew of adult sailors. “Is that really accurate?” was the question.

Full Steam Ahead!

Andrea here, musing today on technological innovations and how fast they can change our world. I don’t know about you, but for me it sometimes feels that the ground shifts beneath our feet weekly—or even daily if one peruses the news reports carefully. Much of it is good, of course, making us healthier, safer, more comfortable and productive in our daily lives.  Still, the dizzying rate of change can be disorienting, if not downright frightening.
 
My Wrexford & Sloane historical mystery series uses technological innovations as the "McGuffin” in the plots because one of the things that fascinates me about the Regency era is that it, too, was a time of momentous change because of technological innovations. In fact, I love that I find parallels in the past to so many issues that we grapple with today.
 
Getting back to technology, in doing my research, the innovators I discover are as fascinating as the things they invent. My latest release, MURDER AT THE MERTON LIBRARY revolves around ocean-going steamboats and the next book in the series, which I just turned in, revolves around  . . . heh, heh, no spoilers yet, but they both involve a father-son team of engineering titans—Marc Isambard Brunel (above) and Isambard Kingdom Brunel—who were really major players in the Industrial Revolution, though most people have never heard about them.

Ask A Wench —about storytelling

Anne here, and today the wenches are responding to the question: Where did your love of books/storytelling/reading/writing/etc. come from?

Pat said:  In my case, I must accept that I was simply born with a love of books and writing. I can’t even say it’s in the genes because from what little I know of my family, my Great-Aunt Norma was the only one who wrote. She was a librarian and vanity-published a book of poems. She might possibly be the reason I love books, although that’s hard to say. For birthdays and holidays, she would sometimes send books the library didn’t want, even though they were inevitably much too old for a toddler who couldn’t read. So I’d pore over the wonderful pictures of lands far away and attempt to puzzle out what the words might say. To this day, I remember being appalled at a news announcer talking about an i-land when it was so obvious that he was talking about land surrounded by a body of water which. . . is land.

I can also remember a really old book of children’s poetry that I marked up with crayons as I sounded out the words. I don’t know how old I was at that point, but I apparently knew my letters and sounds but didn’t know better than to draw on books.

I have no memory of anyone ever reading to me, although I do remember the stories in the Little Golden Books (remember Pokey Little Puppy and the Little Engine That Could?   and kicking up a fuss until a book got tossed into the cart. Someone must have read the books to me at some point so I could follow the story later, when I tried to read it on my own.

All I really know was that I devoured every book in the house, reading and re-reading since my selection was limited. We had no library. By the time I was in fourth grade, I was buying classical English literature from the Scholastic bookfair with my tiny allowance. And since I never had enough to read, I wrote my own, filling notebooks full of stories.

A Deep Dive Down the Research Rabbit Hole!

Andrea here. Those of you who are regular readers of our blog know that I take great delight in jumping down research rabbit holes for my Wrexford & Sloane mystery series. Early scientific technology innovations play a big role in the plots of the books—the early part of the 19th century, including the Regency era, is considered the birth of the modern world, as fundamental changes in so many aspects of life occurred—including the Industrial Revolution. So each book requires some deep dives.

Gone Fishing!

Andrea here, musing about family and some of the little memories that serve as touchstones from past to present, reminding us of fun moments that created connections and camaraderie.
 
This past weekend, my older brother and his son chartered a boat to go fishing out at the end of Long Island Sound, where it opens in the the Atlantic Ocean—a father-son experience that they have done over the years since my nephew was a little boy. (He is now all grown up!) The plan was for them to fish all day and then rendezvous with me and my my sister-in-law at my house for a fabulous fish dinner. (Yes, there was a Plan B! But it turned out it wasn’t necessary.)  And over the fruits of their labor we began trading fish stories that conjured up wonderful little vignettes of growing up . . .

Ask A Wench: Where Do You Write?

Pat here:

This month, the wenches are all under the gun and chose an easy fun question to discuss: “Do you find that the seasons or weather or time of day can affect your creativity or productivity? What is your favorite place to write?”

Nicola: I’m writing this sitting in our living room with the view in the photo. This is a problem because on the rare fine days we have had this summer I would prefer to be sitting out there enjoying the garden. I generally find this time of year quite soporific, especially if it’s humid weather; by the early afternoon I want to take a nap which could go on for several hours! It doesn’t help that August in the UK is holiday season and so there’s a sense of putting your feet up and relaxing. Sadly this isn’t on the cards when, like me, you have a 1^st September deadline!

I’ve always been a bit of a lark rather than an owl so I will start work early, flag a bit in the early afternoon but get a second wind between about 4 and 6pm. Most of the time I work in my study at the front of the house which, because it’s a Victorian cottage, has thick walls and is cool in the summer and warmer in the winter. Autumn always feels an energising season to me which is odd when the trees are losing their leaves, but I love the colours and the sense of a crisp chill in the air. I’m definitely not someone who responds well to the heat which I think may come from my North European genes!

The British Museum and the History of its Special Library

Andrea here, due to a family health issue, I’m posting an “oldie but goodie” past blog today in which I’m musing on two of my favorite subjects: libraries and museums. And as it so happens, the British Museum in London—an amazingly wonderful institution that always makes my heart go pitty-pat—has a fascinating story in its history that combines the two!
 
It all begins with Sir Hans Sloane, who donated his vast collections of “interesting stuff” (a true cabinet of curiosities of 71,000 items—you can see one of the drawers to the right) to King George II and  the country in return for £20,000, to be given to heirs. The items included books, coins, prints, drawing and ethnographic artifacts. By an act of parliament, the gift was accepted and established as the British Museum in 1753. It was the first national public museum in the world, and admission was free to “all studious and curious persons.”

What We're Reading

by Mary Jo

Our Word Wench WWR posts are always popular, and our July reads start with Nicola Cornick:

Nicola here. My favourite read this month was Shrines of Gaiety by Kate Atkinson, which is set in London in the 1920s in the glittering and criminal world of the Soho clubs. I picked it up because the story, about the Croker family and their entertainment empire was inspired by that of the infamous nightclub owner Kate Meyrick, several of whose daughters married into the aristocracy, including the Craven family. The book perfectly captures the complicated and glamorous world of 1920s society. The character of Nellie Coker, the matriarch, is compelling, as is the plot in which the police on one side and Nellie’s enemies in the criminal fraternity on the other, are all aiming to bring her down. Her eldest son, Niven, is a great romantic hero. My major grumble was that the romance strand was left hanging, which was very frustrating for those of us who like happy endings! I’ve enjoyed some Kate Atkinson books more than others but this was one of my favourites.

US link here: UK line here.

I also picked up The Death of Mrs Westaway by Ruth Ware and thoroughly enjoyed that too. Harriet Westaway, struggling to make ends meet and even to survive in Brighton after her mother’s death, receives a letter that seems to answer all her prayers. The Cornish grandmother she never knew has left her a fortune. But Harriet’s grandparents died 20 years before… didn’t they? Desperate for the money, she decides to chance it and see if she can get away with the fraud, which brings her into the Westaway family circle and a whole host of secrets waiting to be revealed. This is a gothic thriller with all the trappings – a creepy old house, an equally creepy old family retainer and various weird relatives hiding all sorts of secrets. I found it a page-turner and went on to read another of Ruth Ware’s books, The It Girl, straight after.

US link.  UK link

 

 

Down the Rabbit-hole

Anne here. I sent the wenches down a rabbit-hole last week. It was for something quite small, really, but I thought it might give you an idea of the kind of rabbit-holes we wenches regularly dive down in the quest for historical accuracy.

I was writing a scene where the heroine, who’s hot and tired is alone and on foot in the countryside. She is cooling her aching feet in a little stream, when she meets a handsome itinerant, who comes to fill a bucket and a small pot in the stream.

The water in the bucket is for his horse, and he mentions that the small pot is for making a cup of tea. She’s just thinking that she’d kill for a cup of tea, when he offers her one.

That’s it. Barely worth a mention, you think. Only at first I called the small pot a billy-can, or a billy, which is what we use in Australia. Throughout my childhood, every barbecue we had in the bush, Dad would “boil the billy” which means he’d make tea for him and Mum and any other adults. Not coffee, and tea wasn’t for the kids — we drank pure, clear creek water. Pretty much any Australian would know what “boil the billy” meant. It  looked like this (though many billies have a lid and some are even fancy and enamelled.)

There are even old-fashioned tins of tea called Billy Tea. They're now collectors' items. And in the song Waltzing Matilda the swagman was waiting 'till his billy boiled. You rarely see swagmen these days — they were lone itinerants and they carried their "swag" — their possessions— on their back, but the billy always hung free, ready to make a cuppa. 

So I happiy continued with the scene. . . and then started to have second thoughts. Would it be called a billy at that time in that place?  Such things we historical writers have to consider. Hmm... So I looked up the OED (Oxford Englsih Dictionary) which tells when and where a word first appears in print. And sure enough, “billy” in the sense I was using it was an Australian/NZ term first seen in print in 1849. Curses!

So, what to call it? I asked the brains trust — ie the wenches. And they jumped right in. Here are just some of their responses — I'm sparing you the whole discussion.

En Garde—Meet the Chevalier de Saint-Georges!

Andrea here, under frantic deadline, so I am re-posting an older blog that is worth revisiting due to an exciting new movie that released last month. Read on!
 
I’m musing on how our fresh perspectives on history continue to weave such exciting new threads into the tapestry of the past. I love learning about extraordinary people whose stories never got told in the traditional narratives, especially when it’s someone whose life intersects with the Regency era. So I was absolutely enthralled by an article in the New York Times on Joseph Bolougne, Chevalier de Saint-Georges. (image: Public domain, via Wikimedia Commons)

Ask A Wench - Who's Grumpy?

“Why, Grumpy… You do care.” Snow White discovers Grumpy’s compassionate side.

Nicola here, introducing this month’s Ask A Wench and a topic that has caused much discussion among the Wenches lately. (Photograph: Wikimedia Commons: Alex Patel).

“Adjectives to describe heroes have changed over the years.  "Grumpy" seems to be popular these days.  What does this mean to you? Are there other such adjectives you've liked or hated for heroes?”

Christina here and I don’t actually mind grumpy heroes, if they have a reason for being that way. Recently, I’ve read quite a few contemporary stories and the grumpy heroes usually tend to be billionaires, which seems a bit odd. I mean, if you have enough money to buy anything you could possibly want, what’s there to be grumpy about? Mostly they’re tired of being pursued for their money, rather than their personality, which is fair enough. But if they’re just grouchy in general, they need a good kick up the backside so hopefully the story has a heroine who can administer that. Or they have been working too hard and the heroine injects some much-needed fun into their lives. If anyone has to be grumpy, I’d prefer it to be Grumpy Cat! (Photograph: Wikimedia Commons: Gage Skidmore).

I’ve seen “loner” and “damaged” a lot to describe either a historical hero who’s scarred from a recent war, for example, or a present-day hero who might be some sort of modern war veteran. This, to me, implies psychological scars, which can be difficult to sort out, but a kind and caring heroine is all they need.

“Brooding” is another adjective used to describe heroes, and this one I don’t like. It just conjures up images of a scowling man who is taciturn and stand-offish. Those are not attractive traits. Reminds me of Heathcliff in Wuthering Heights, a hero I could never take to or understand.

If an author wants to hook me with their blurb, all they need to do is tell me their hero is a “bad boy” and I’m there. (OK, that's two words, but still ...) Now that is something that will draw me in every time!

Mary Jo:

Writing book blurbs is challenging because one wants to capture the essence of the plot, the characters, and the feel of the story.  Words must be chosen very carefully.  Characters can be brave, kind, resourceful, tormented, reserved, warm-hearted, witty, charming, fierce, stubborn, and many other possible describers.

But I have to say that describing a hero as "grumpy" is at the absolute bottom of my list of adjectives.  To me "grumpy" is someone who is bad-tempered for no good reason.  Probably immature, irredeemable, and certainly not good company. 

 To me, this picture of a warthog pretty much defines, "Grumpy."  Not at all romantic except perhaps to another warthog!

(Picture: Wolfgang-Hasselmann, unsplash.com) 

Anne: I don't mind the term 'grumpy' for heroes. To me it's shorthand for a hero who's 'hard to crack' and that signals a fun journey to romance. I generally assume a grumpy hero has been pursued for his money or position or used in some way, and as a result has become cynical and maybe even a little embittered about women. Whatever the reason, he doesn't believe in love. And isn't that a challenge we all enjoy?

But 'cynical' or 'embittered' or 'damaged' are not attractive-sounding adjectives to put in a book blurb, whereas grumpy sounds temporary enough that the hero can change, which is what we want. Perhaps he was even a romantic in his youth, but something happened to change him into the man he is now. So as a reader, I want the heroine to chip away at his hard, protective shell, and make him believe in love again. 

It's a description often used in contemporary romances, but there are plenty of historical romance heroes of the 'grumpy' sort. Quite a few of Amanda Quick's heroes could fit in this category — Seduction, Scandal, to name a couple. And maybe Loretta Chase's Lord of Scoundrels. Possibly Darcy in Pride & Prejudice. Julie Garwood's Saving Grace?  Mary Balogh has a few. Even my hero in Gallant Waif was listed as a "hot grumpy hero" in this list on Goodreads. 

So, I take the 'grumpy' description with a pinch of salt and expect a 'hard to crack' hero and a fun romance. It doesn't always happen, but I'm certainly not turned off by the term.

(Picture: Charlesdeluvio, unsplash.com) 

Andrea: We Wenches had an hilarious ”pre-game” discussion on this question as we composed our answers, so I hope you are all having as much fun with this as we did! 

“Grumpy” is not a word that would leap to my mind when thinking of adjectives for a hero. However, I don’t see it as an irredeemable flaw. I'm thinking of Roy Kent in Ted Lasso, who came across as a total grump, snapping and snarling at everyone. But viewers were given backstory hints that his demeanor was a protection for his inner vulnerabilities. And I found it delightful to watch several of the people around him—including his 8-year-old niece—slowly wear down his defenses. That he ultimately learned to laugh at himself and not to be afraid of expressing his feelings made for a very feel-good story of friendship and love.

Yes, there are some people who can’t be redeemed.  Self-absorbed, selfish men who have no empathy or sense of humor will never be heroes in my book. But men who have been hurt before, or are struggling with inner self-doubts make wonderfully complex characters and it’s fun to create a heroine who can stare dwon thie scowls and draw them out of their shell.

(Photo credit: Gerda DaRif)

Pat: I can’t top a grumpy warthog or cranky cat, so I went to the source—Merriam Webster, which says “grumpy” means “moodily cross: surly.” Synonyms are a bit harsher: choleric, cross, peevish, grouchy, cranky. . .” 

Right now, I’m reading a book where the heroine is “snarky,” which to me, is far worse than “grumpy.” One can be grumpy when getting up in the morning before coffee. Snarky takes work. But in this book, the heroine has very good reason to be “peevish and grouchy.” It’s a wonder she’s still alive and hasn’t killed anyone yet.

I will totally accept grumpy heroes or heroines—if they have good reason to be so. If they’re just perpetually irritable, I’ll probably quit the book. (actually, if they’re billionaires, I’ll probably quit the book because who cares about their problems? I never liked Prince Charming either) I want likable characters, even if they’re likable despite themselves.

So the hero who has been badly burned by those he loved or trusted has every right to snarl at a heroine who chirps about true love making the world go ‘round. If she keeps on chirping despite his attempts to put her off, he can even bark loudly. I’d sure the heck do so. Okay, maybe I like grumpy because I am grumpy!

(Image by TitusStaunton from Pixabay)

Susan: The word grumpy can be misleading and subjective. Grumpy can have different meanings for everyone (it kind of reminds me of Grumpy in Snow White, who turned out to have a heart of gold, aww!). This discussion of grumpy heroes touches on the basic question of what qualities make a story hero a heroic and appealing character. Is a "grumpy" hero a man who is reserved, cautious, protective--yet basically emotionally mature and emotionally attractive - or is he a guy who might be selfish, spoiled, petty, and irredeemable? Is the grumpy sort worth the heroine's time and energy (and worth the reader's time and energy as well)? This "grumpy" descriptor works two ways - he's either a negative or a positive character and influence in the story. This grouch is either heroic at his core, or he is further down the scale toward non-hero. 

A gruff hero has substance and heart, and can lead to transformation and great reward for hero and heroine in the story. But a grumpy guy who is just difficult and not all that fixable -- maybe he's better off as a villain.   

Years back, Mary Jo Putney and author Eileen Charbonneau and I did a few workshops on a hero type we called the Warrior Poet -- the WP. We also called him the M&M hero, the tough guy with the outer shell that's hard to crack, yet he's yummy and loving inside (we handed out M&Ms to our workshop attendees!). Today we might call this guy a little bit grumpy or gruff. Beneath that hardened outer emotional shell, the restrained emotion and invulnerable facade, the WP/M&M guy can be soft-hearted with a deep capacity to love. That has tremendous potential in a romance hero. And it’s up to the heroine (and the writer) to bring out the best in him and help him get past what makes him so cautious and protective to help him discover his innate capacity to love. The story variations on this theme are endless.

This is my favorite hero to write, and I've played with variations on the Warrior Poet/M&M/Oscar the Grouch type many times. Open up almost any of my books and you'll find a guy who's a bit grouchy, standoffish, wry -- but he deeply loves his family, his principles, he has tremendous integrity that he doesn't put on display. He's got a lot of secrets, with reason. But he's there in a flash for the heroine, and through her, he learns to crack that shell, open that door, and grow as a warrior, a poet, and a guy who loves M&Ms.  (Photo by @wings_in_light found here)  

Nicola: So there you have it - our thought on "grumpy" and other sorts of heroes and heroines. For me, like Susan, the first thing I think of when I hear the word "grumpy" is Snow White and the Seven Dwarfs. I didn't like the original Grumpy, heart of gold or not! Gruff seems a much more acceptable term to me for that tough, taciturn exterior that hides a heroic heart. But it's all in the interpretation and that is always subjective.

What are your thoughts on "grumpy" and the other words that are used to describe heroes? 

Let's Party!

Andrea here, madly scribbling away on Wrexford & Sloane Book 8, which is due in mid-August. Yes, yes, I know, Book 7 isn’t out until the end of September, but deadlines are set WAY in advance of publication . . . and I need to switch on jet propulsion to get to the finish line on time. (Oh, wait, there was no jet propulsion in the Regency era! Do you think my editor will accept the excuse that steam engines are to blame for not huffing and puffing hard enough? Heh, heh.) (image courtesy of Yale British Art Center)
 
Getting back to the plot-in-progress, as the action was heating up, I needed somewhere a little different for a meeting of several conspirators. Neither a fancy Mayfair mansion nor a gritty slum was quite right. So I began perusing my historic map of London and the solution quickly jumped out at me . . .

Imagination and Innovation

Andrea here, musing about imagination, which I do a lot, but today my focus is on how imagination sparks some people to come up with an idea that revolutionizes their world. Now, those of you familiar with my Wrexford & Sloane mystery series know that I’m very intrigued by momentous inventions that change the course of history, and use them as catalysts for my plots.
 
Change is such an interesting concept, fraught with so many facets. Some people embrace change, finding the new possibilities exhilarating. And some people are frightened by by change, preferring the comfort of familiarity and doing things the way they have always been done.
 
In my upcoming book, MURDER AT THE MERTON LIBRARY, which releases on September 26th, the action kicks off with the theft of an arcane old manuscript that may—or may not—hold a startling technical revelation that can be applied to creating an innovation that will change nautical travel.  One of the thigs I find fun about the research involved in coming up with the plot ideas is how it takes me down fascinating research rabbit holes.

Ask A Wench

Pat here, with this month’s question from Karen:

I very much enjoy the monthly What We're Reading columns, and I began wondering about books that you, the Wenches, do not mention. I'd be happy to hear the answers to any or all of these questions: Do you abandon books with abandon or do you finish every book you begin? Do you read a significant number of books that you don't mention for any reason? Are you a slow or quick reader?

Nicola:

Do you abandon books with abandon or do you finish every book you begin?

 I’m quite a hasty reader in the sense that if a book doesn’t grab me reasonably quickly I will probably abandon it. I’m certainly not the sort of reader to battle on regardless on the “I’ve started so I’ll finish” premise.  I think I may miss out on some good books this way by not giving them the time to get going, so sometimes I will come back to them for a second attempt. Once I’m into a book it’s very unusual for me to give up on it but if something happens in the story that makes it a wall- banger then it’s all over! I recently read a top 10 bestseller that I was really enjoying until very near the end and then (to my mind) it took a completely wrong turning and I wanted to give it up. However I also wanted to know what happened at the end so that was a real dilemma for me!

Books—A Love Story

Andrea here. Books have been a big part of my life for as long as I can remember. My mother was an avid reader and lover of words and pictures, so I know I had books read aloud to me from a very early age (though that I don’t came to remember.) By age five I had written several books of my own, lovingly preserved by my Mom. “Horeses” became a family joke for many years. (Yes, I’m still a bad speller!)

Introducing Laird of Rogues

Susan here, introducing my new novel, Laird of Rogues, the third in the Whisky Lairds trilogy with Laird of Twilight and Laird of Secrets.

"A wonderful story—handsome kilted Highlanders, whisky smugglers, intrigue and forbidden love, all set against the stunning backdrop of Scotland, and with a hint of fairy magic. A brilliant read!" says Word Wench Christina Courtenay, author of Promises of the Runes.

An Amazon reader recently posted “A wonderful new book by this well-known author had me enthralled from the opening chapter and it just kept getting better as the plot unfolded.”

It’s a rainy, steamy summer in Edinburgh, 1822, when Ronan MacGregor, Highland laird and whisky distiller, is invited to meet King George IV during the royal visit to Scotland – but the so-called Whisky Laird (and lawyer) is cooling his heels in the dungeon, awaiting trial for smuggling, posing an awkward problem for the city. Enter the deputy provost's daughter (and secret adventure novelist), Ellison Graham, tasked with cleaning up the Highland rogue for the royal introduction. Ronan has no interest in meeting the king and only wants to ensure safety for the people of his glen—while Ellison is eager for adventure at last. Neither expects a few etiquette lessons at a remote Highland estate to lead to mayhem, unmask a murderer—and bring unexpected love into their lives.

Whisky smuggling was a tricky business then. Distillers, crofters, smugglers, and excise officers walked the Highland hills at night, running goods, including valuable Highland whisky, to the border and the sea to sell their excellent product. Some were criminals—on both sides of the law—and some Scots smuggled to provide for their families in the face of oppressive English laws.

With a hero who was a smuggler, distiller, and an advocate of the law, and a heroine who idolized Sir Walter Scott, researching this novel was endlessly fascinating, taking me deep into whisky production and the business of smuggling, along with Scottish customs and Scots law (which was so interesting, especially when I found a little legal twist for the story!). And King George’s visit to Scotland was great fun to study -- a wild spectacle of pageantry and Celtic magnificence amid crowds of thousands. I’ll blog later about the king’s visit (and his love of Highland whisky and penchant for kissing every Scottish lady who came near).

For now, here’s an excerpt from Laird of Rogues . . .

Edinburgh dungeons, June, 1822

 “Tea,” the guard called as he pushed a wooden cart, china and silverware rattling on a small tray, into the prison cell. “Tea and visitors!” 

Ronan MacGregor closed the book he was reading and sighed, glancing at his companions in the cell, who sat up slowly; Iain MacInnes and Arthur Stewart had both been dozing. All of them were weary of the Edinburgh dungeon and their ruse as the Highland scoundrels known as the Whisky Lairds. But that guise protected their identities, their kin and glen folk too. Soon Ronan and his friends would return to their lives and livelihoods—if luck was with them. 

At least their stay here had improved when Edinburgh officials saw the advantage in allowing summer crowds to view the notorious smugglers—for a fee.

These weeks had given him much to consider, making him even more determined to push for better justice for Highland folk too often regarded as common, uneducated, unworthy. The ancient culture of the Gaels, their pride, their legacy, deserved appreciation and preservation. Once he was free to practice law again, he would promote the truth. But for now, the ploy must continue.

“Hey,” Iain MacInnes murmured. “The angel is here again.”

Ronan looked toward the door. She was there, setting gentle foot on stone, crossing the straw as if floating—a vision in lavender trimmed in black lace, dark bonnet curving around her head, a few golden curls escaping. This was indeed the young woman who had visited the prison cell just days ago. The gentleman who had accompanied her that day was back as well.  

Ronan stood, as did his friends, in expectant silence.  

What We're Reading in May 2023

Anne here, and before we jump into talking about the books we've read in the last month, some of you have noticed that the comments on some posts seem to have disappeared. We don't know why, we have reported it to #Typepad (the blog host) but be assured your comments ARE making it through to the site, and we hope they'll be restored soon. So feel free to comment — we'll still respond.

Now, on to the books we've been reading.
We start with Pat who is recommending T. L. Huchu, THE LIBRARY OF THE DEAD

This is a dystopian young adult set in an Edinburgh after some disaster that’s laid waste to. . .well, whatever the author needs out of his way. Apparently some people still have modern housing and normal lives, but the protagonist is a fourteen-year-old girl who can enter the spirit world and lives in a camper with her grandmother and little sister after her middle class  life was destroyed by something or other. Despite my quibbles, this is a brilliantly written book. The protagonist is bold, probably a genius, and intent on taking care of her small family. When forced by guilt to forget making money to help someone for free, she’s dragged into a nightmare that she almost doesn’t escape. But in the process, she learns about an underground magical library, meets a snarly magician who helps her out, and finds a wheelchair-bound best friend. I loved the spirit parts and skimmed the violent ones, but I’ll be ordering the next book as soon as the ebook becomes a reasonable price.

Next is THE HEART PRINCIPLE, by Helen Hoang

In ways, this book is almost painful to read. Don’t get me wrong. It’s a brilliant book, the characterization and conflict are spot on. I just finished, and I’m thinking of reading it again. But it’s intense. I could feel the tension from the very first page, recognized the character’s autism before she does, and I don’t think I’m spoiling anything by saying it’s obvious the author knows what she’s writing about.

The themes are universal—know and accept yourself, caregiving is tough on everyone, and forgiveness is love. The story is beautifully romantic. The sex is graphic. The dry humor is very low level compared to earlier books THE KISS QUOTIENT and THE BRIDE TEST. But it’s well worth reading. Highly recommended.

Mary Jo here, and I have two bride stories here for June!

First is The Bride Wore White by Amanda Quick, which is the historical pseudonym of Jayne Ann Krentz. 

As the blurb says:   "Being Madame Ariadne, Psychic Dream Consultant, wasn’t Prudence Ryland’s ideal gig, but it paid well which was reason enough to do the work—until she realizes that her latest client intends to kill her. But Prudence, a master at reinvention, finds a new job and home as far away as possible and is finally able to relax—which turns out to be a big mistake. Letting her guard down means being kidnapped and drugged and waking up in a bloodstained wedding dress in the honeymoon suite next to a dead man. With the press outside the hotel, waiting with their cameras and police sirens in the distance, it’s obvious she’s being framed for the man’s murder. Prudence knows who is responsible, but will anyone believe her?"

AAW: Favorite Furnishings!

by Mary Jo

This Ask A Wench blog was inspired when we started talking about furniture in our private Word Wenches email loop, and we found out that we all had stories about favorite things!

Here is the question I asked: "Do you have a particular piece of furniture that you cherish? Tell us its story!"

And here are the replies:

From Pat Rice:

I HAD wonderful pieces that I cherished—the Victorian sofa my stepfather reupholstered in lovely wine and cream to match my Tudor-style dark oak living room; the dark oak dining table that was our very first piece of “bought” furniture, the one with scars in it from little hands pressing too hard with writing instruments while doing homework; the beautiful Bentwood rocker from my mother that I rocked my babies in… and the magnificent handmade mahogany Queen Anne bedroom suite I bought with my first big royalty check. ( the pic shows the table and the antique sideboard I picked up at a yard sale!)

They’re all gone now, left behind when we moved across the country to a modern cottage on the Pacific coast. These days, we live with thrift store bargains—because new, they probably cost more than all the above furniture did when we bought them. I no longer feel guilt at dumping a designer leather couch when we move to a house where it doesn’t fit. I can buy an even better one in a design that matches. Throw away furniture—it’s a Thing.

Nicola contributes a "Slightly macabre piece!"

 When I was a child my grandparents, who lived with us, bought an 18th century grandfather clock that stood in the hall, its loud tick filling the air and somehow giving a sense of reassurance and permanence. I loved that clock! I loved its painted face and the fact that it was much taller than I was, and that it had been made in the North of England and was so old.

Fast forward fifty years, and when we were clearing my parents’ house I really wanted to take that clock home to live with me. But there was a problem. It was too tall. Or our ceilings were too low. Whichever way you looked at it, it didn’t fit. We thought about taking several inches off the bottom of it, which wasn’t really feasible. We even thought about lowering a small part of the floor but that was even less practical. In the end I had to accept that it just wasn’t going to happen. My step-brother has it now and as he loves it too, that’s good enough for me.

 

Exploring the Chelsea Physic Garden

Andrea here, Where I live in New England, the weather has been unseasonably chilly, so the unfurling of Spring hasn’t yet burst into full bloom. But the flickers of nascent green and tantalizing hints of color from early flowers in the local gardens give promise that my daily walks will soon be alive with the sights and scents of the natural world cycling into its peak season.
 
Now, I’m not gardener. I’m too impatient to wait for several years for tiny plants mature into the original vision for the space. And weeding, mulching, deadheading feels like drudgery . . . I am much happier appreciating the work of others!
 
Which is to say, I very much enjoy gardens for the pure sensory pleasure of seeing the colors and textures, and savoring the scents and sounds of the bees busy at work pollinating. But I also find that I have a special appreciation for “practical” gardens, like herb gardens. And my very favorite are physic gardens, which are designed for medicinal purposes.
 
So in the spirit of celebrating the start here in the Northern hemisphere of gardens come to life, I thought I'd give a quick look at the history of Chelsea Physic Garden, one of Britain’s oldest gardens devoted to medicinal plants.

The Author's Note—Yes or No?

Andrea here, musing today on that oft-overlooked part of a book: the Author’s Note. I’m one of those readers who really likes getting an inside peek at what information an author thinks will enhance the enjoyment of the main text. The dreaded “info dump” that can often bog down the actual storytelling tends to shine in its own special place, and I, for one, find that understanding elements like the facts behind some of the plot twists, or the inspiration behind the book really does add to my appreciation of the author’s creation.

Ask-A-Wench about. . . audio books

Anne here, with this month's ask-a-wench question, a thought-provoking question from Janice (and for which she'll receive a free book).  Thanks, Janice.

With the popularity of audiobooks and the increasing ease of obtaining them, I am seeing more comments and reviews from readers talking about books they listened to rather than read in print. Has this affected your writing process at all?   I know when I have to compose something I hear the words in my head and then I put them on the paper. I know some people put the words on the paper and then read them aloud or in their heads. The sound and the rhythm are very important - but I don't have to think about how they will sound if someone else says them. Is this a consideration for you?

Christina said:  I don’t listen to audiobooks myself – I’m a very visual person and don’t like having things read out to me as I need to see the words. I don’t usually read my work out loud to myself either, except occasionally a bit of dialogue. Therefore, I never used to take them into consideration at all when writing my own stories. They were just something my publisher had done, and I never even listened to the author copies they sent me when audiobooks used to be on CDs. I received two and kept one for my shelf, while sending the other to a second cousin of mine who was blind. A couple of times, I had to provide a pronunciation list for the narrator as some of my books contained Japanese words, but I had no direct contact with anyone and never checked whether they got it right.

Then I changed publisher, and to my surprise they asked for my opinion on the person who was to record my first book for them. I listened to a few different narrators and agreed one of them was the best. As far as I was concerned, my input was over, but that turned out not to be the case. Again, I was asked about pronunciations, since I had included a whole bunch of words and phrases in Old Norse. When adding those, it never occurred to me that some poor soul would have to read them out loud. In my head, I’d pronounced them the way I thought might be right, using Swedish as my guide. However, for the purposes of the audiobook, guessing wasn’t good enough. So I had to consult with the kind lady who had helped me find the right words in the first place – she has a PhD in Old Norse and speaks Icelandic too. Then I had to learn to pronounce the words myself, before teaching the narrator how to do it. We had a session via Skype, which was great fun, both of us tripping over the unfamiliar sounds and laughing. There’s a lot of guttural stuff in Old Norse, and sometimes you sound like you’re just clearing your throat <g>. For every book since, I’ve had those sessions with the narrator and we are both getting used to Norse words and phrases. I’m even tempted to use them in real life sometimes! Doesn’t þegi þú! (pronounced THEY-ghi THOO – the TH as in the word ‘three’ and then a throaty ‘g’ as in the Scottish word “loch”) ) sound much better than ‘shut up!’ for example? So yes, these days I do think a little bit about what I’m adding to my stories, but if the words need to be in there, my reader and I will simply have to learn how to pronounce them.

Guest Author Amanda McCabe dishes on Paris, Jazz . . . and Love!

Andrea here, and today I'm delighted to welcome my good friend Amanda McCabe to the Word Wenches to dish about A Manhattan Heiress in Paris, her new historical romance set in the 1920s. (fluttery sigh.) Amanda and I met many moons ago when we were both writing traditional Regency romances for Signet. She had since branched out into a variety of fabulously interesting time periods . . . so without further ado, let's hear what she has to say about how history inspires her writing!

You’ve started in Regency romance but have also written in a number of other time periods—Renaissance, Elizabethan, Victorian, Gilded Age Edwardian and the 1920s! Tell us a little bit about what draws you to exploring different eras.
 
I admit, I’m Amanda and I’m a history junkie!!  I’ve always been fascinated by the past, ever since I found a stash of Jane Austen and various Gothic romances/Heyer titles on my grandmother’s bookshelf.  (she was a history/book junkie, too!).  One author she collected especially was Barbara Cartland, and while even as a ten year old I had scorn for her whispery, stammering, wide-eyed heroines, I loved the historical settings she used.  Elizabethan, Regency, Victorian India, the theatrical world, Monaco casinos, smugglers in Cornwall, she had a bit of everything, and talked about them in author’s notes I devoured.  They sent me to the library to find non-fiction works where I could learn more.  So, strangely, I owe my love of history to—Barbara Cartland!

What We're Reading!

Here's a round up of what the wenches have been reading this month. In the comments, let us know what you've enjoyed. It's a great library builder!

Nicola:

The Girl and the Sword by Gerald Weaver (UK link) is a historical epic in the true sense of the word. It covers decades and looks a great span of ideas and history. It’s set in the 13^th century and tells the story of Pauline de Pamiers who is a young girl from the oppressed Christian sect, the Cathars, and how she refuses to accept subjugation but forms an alliance with one of the most famous crusaders of all, Simon de Montfort. There are big themes in this book – the role of women in medieval society, the establishment of parliamentary democracy, the dominance of religion.

Whilst the character of Pauline is fictitious, Simon de Montfort was, of course, very real and in his author’s note, Gerald Weaver talks about taking an “American” view of a man who has primarily been written about by English historians. It’s fascinating to see the different perspective that he brings to the character and actions of de Montfort, seeing someone who has often been dismissed as an ambitious opportunist as, in fact, a fundamentally good man who was responsible for sowing the seeds of democracy.  Whilst I might not have agreed with his interpretation of some of de Montfort’s actions, I did love the sheer swashbuckling scope of the story. This Simon is a real hero of integrity, courage and action. Pauline is an admirable woman and their relationship is a tender and true love story. My favourite aspect of the book was their dialogue which was funny and clever and very entertaining. So if you are a fan of epic historical novels with feminist heroines and knightly heroes, this could be the book for you.

The Art of Marbling

Andrea here, talking today about books. No surprise there—we do that a lot here at the Word Wenches! But my topic today isn’t about the words on the printed page, but rather the remarkable art of the decorative papers that were traditionally used to create beautiful cover and endpapers in book.
 
Alas, today it’s becoming a lost art, but I recently saw a marvelous exhibit at the Grolier Club (it’s a wonderful society dedicated to the arts of the book and book collecting) in New York City on the art of contemporary marbling, so I thought I would share some of the fabulous creations and give a short explanation of the history and process of marbled paper.

Dutch Treat

Andrea here, I recently saw a very entertaining article in the New York Times on a reality show—not something that would usually catch my fancy. But in this case it was about art, and an artist who fascinates me, so I took a closer read.

 In celebration of a mega-blockbuster exhibit currently on view at the Rijksmuseum in Amsterdam (alas, currently sold out, but more slots may become available) Dutch TV decided to create a challenge for both amateur and professional artists to “reinvent” some of the lost works of the famous painter. The judges are Vermeer experts the Rijksmuseum and the Mauritshuis, in The Hague. The results are absolutely delightful—you can view them here on the station’s website. Isn’t it fun to see such creativity in bloom?

WWR—What We've Read in February

Anne here, and it's my pleasure to present to you some of the books we wenches have been reading in the last month. 

We start with Pat, who read Deb Richardson-Moor's book, MURDER, FORGOTTEN 

I got quite excited when I started reading this contemporary mystery, thinking I’d found a really good new mystery writer. And the book is definitely well-written, with well-drawn characters and lots of red herrings and one could never be absolutely certain who the killer was until the end. There was even a point at the beginning where I was becoming annoyed with the main character for not realizing the obvious—and the author turned it around beautifully. Unfortunately, she picked up the same clue again later and let the character be an idiot. Worse yet, she killed off a POV character to whom I was attached. And from the very beginning, the one major clue everyone kept asking about was so verrrrry obvious. . .

But its redeeming value is the women’s fiction setting of Sullivan’s Island in South Carolina, with lots of lovely beach homes and nosy neighbors. The two main protagonists are mother and daughter, the mother a writer and the daughter an artist. The book starts with the mother slipping into dementia and her husband already murdered. As the police examine all the close-knit neighbors, secrets are unwound, and it’s impossible to know how much more is hidden. I’ll admit, I read every word and enjoyed it—but there were points when I really wanted to scream: Stop being stupid! So if you want to sink into a southern who-dunnit, this is fine. Just don’t expect perfection.

Next we have Nicola, who read and recommended  A SEASON FOR LOVE by Ally Sinclair, and had a bunch of Wenches running off to buy it. (It's on special too at the moment)

Emma Love takes over her mother’s matchmaking company and with the help of her brother determines to expand the business through a series of events with a Jane Austen style Regency theme.  However, this is Regency with a modern twist in the sense that the book is a contemporary Rom Com so the couples embarking on this old-fashioned style of courtship are more accustomed to online dating and casual hook ups than dancing the cotillion. Our heroine Emma is too fixated on developing the business to consider romance herself – until she bumps into the infuriating Mr Knight, for whom she just doesn’t seem able to find the perfect match. Meanwhile her friends Annie, Jane and Lydia are all at different stages of relationships and all are looking for something but not sure what form, if any, their HEA will take. The plot is structured around a modern version of the events of the Season and it’s completely charming and at times laugh out loud funny. A Season for Love is a book that manages to explore so many different aspects of love, friendship and relationships in a way that is thoughtful, diverse and emotional. It’s such a joyful book but profound and thought-provoking at the same time. I loved it and it left me feeling uplifted.

(Anne notes, this is the English author, Ally Sinclair, not the Australian author, Alli Sinclair.)

The Simple Joy of Elemental Creativity

Andrea here, Just the other day, I was brainstorming with a good friend about about her elderly mother and the challenges of keeping her spirits up as aging restricts the things she can do. Her mother is an artist, who did very meticulous and detailed (and wonderful!) collages out of found paper throughout her career. But her eyesight and manual dexterity are not what they used to be, and so she doesn’t get up with the same verve to embrace the day as she once did.
 
It got me to thinking . . . and an idea occurred to me. I’m a huge fan of Henri Matisse’s paper cut-out collages, which he began in later life when the rigors of painting became too much of a physical challenge. Their bold colors and exuberant simplicity are wonderful—he called them drawing in paper. So I showed them to my friend and suggested that a simple pair of big scissors and an assortment of bright colored paper might rekindle her mother’s artistic eye—and be easy enough to handle that it wouldn’t be discouraging.

What We're Reading in January!

Nicola here, introducing this month’s What We’re Reading. As usual we’ve got an interesting mix, and we’re really looking forward to hearing about your latest reads as well. Looking at my Kindle, all the most recent books on there are recommendations I’ve picked up from the other Wenches and these posts.

Having read every single one of the Jayne Castle Harmony and Rainshadow series, with attendant dust bunnies, I turned to the Arcane series and now to the Fogg Lake series, which is a contemporary romantic suspense trilogy with paranormal elements. There’s a Midwich Cuckoos vibe going on here. Years ago, the small town of Fogg Lake experienced something called The Incident, a mysterious explosion in the cave system beneath the town. The residents were knocked unconscious and when they recovered, they found they had new psychic powers.

Book 1 in the series is The Vanishing,written under her Jayne Ann Krentz name. Catalina Lark and her friend Olivia St Clair witness a murder when they are teens but no one believes them as it took place in the caves of their hometown Fogg Lake, and people think they were hallucinating. Years later, Olivia disappears and it becomes clear that someone is hunting the witnesses to the murder. Catalina sets out to find her friend with the help of Slater Arganbright, a mysterious operative from a shadowy law enforcement agency called The Foundation.

There are lots of parallels with the futuristic books in terms of the special powers that the protagonists possess, the strong heroines and the very hot heroes and even hotter romance. But – no dust bunnies!