Nicola here and today I'm sharing a visit I did recently to an amazing country house. Just to the side of a busy main road in Cheshire, surrounded by houses and traffic, lies a throwback to another time. It’s called Little Moreton Hall and whilst it’s not a stately home it certainly isn’t that small either. Built 500 years ago, it’s a time traveller from the Tudor era to the present. It was built to impress; a half-timbered house with decorative timber, plasterwork, painting and glazing that is totally dazzling.
I hadn’t been to Little Moreton Hall since I was a child and it’s a tribute to what an amazing place it is that I remember it so well. It was wonderful to revisit it. My first thought when I saw it, though, was to wonder how on earth it had managed to stand for so long. It looks like a house that is crumpling under its own weight. It bends, sags and buckles and the floors and walls are nowhere near straight. It is extraordinary.
Little Moreton Hall belonged to the Moreton family for hundreds of years before being given to the National Trust in 1938. The 
Moretons were not aristocracy but powerful local gentry who built and improved the house almost continuously from the early 1500s until the English Civil War stopped them in their tracks. The Hall was very much a Tudor status symbol, boasting expensive glass windows and ornate plasterwork and it was sign to the local gentry of just who was at the top of the pecking order! The 16th century Moreton family was rich, hospitable and generous, but their fortunes took a fall when they supported the King in the Civil War and were heavily penalised for it. They never did any further work on the house.
What I particularly loved about Little Moreton Hall was the way in which there were so many fascinating little touches of history about the place and they way in which the team working there brought these out through displays and information. (Who knew, for example, that black and white Tudor houses were often originally silver and cream because oak weathers to a silver colour? The black colour usually comes from tar that was painted on later). Although most of the rooms are empty, the are full of detail. The house has 30 000 leaded panes of glass, known as quarries. Over the centuries many of the original ones have fallen out as the wood of the house moved and settled, opening up the lead of the window panes. Until the 1570s, glass was so rare and was such a luxury that if you moved house you would probably take your windows with you! Also very rare are Little Moreton Hall’s chimney stacks because chimneys didn’t become commonplace until the end of the 16th century. Again Moreton seems to have been state of the art; in its day it must have looked as modern as eco-houses do now!
I really loved the way in which the master craftsman who oversaw the building of the hall advertised his work on it, and 500 years later it’s still there to see: “Richarde Dale Carpender Made Thies Window.” Other stunning details were in the parlour, where in 1976 they discovered that the panelling hid earlier painted wall and some of the earliest type of wallpaper! This is amazingly well-preserved and colourful.
Three floors up was the long gallery, which felt as though it was perched rather precariously on 
the top of the house! The Long Gallery was built for exercise and games and in 1976 the curators found some 16th and 17th century tennis balls behind the panelling! It was the long gallery that, along with the heavy slate roof, was responsible for the structural problems that make the hall look as though it is falling down. Most timber-framed houses were built one floor at a time, with the ceiling of one forming the floor of the other. However, the long gallery is much narrower than the floor below it; this was a decision that was made for appearances because a narrow room looks longer and more dramatic. It also meant that the room had no direct support. Four times the Moretons attempted to shore up the house, including inserting iron tie rods and later a steel frame. So tumbledown is the whole floor that when you go into the chamber off the long gallery, it appears that the fireplace is askew. This is an optical illusion I couldn’t get my head around. It’s the floor that actually slopes pretty steeply here.
Outside, the knot garden was the perfect, pretty complement to a gorgeous Tudor house, and who doesn’t love a moat? We were treated to a wealth of information on Tudor plants, both in terms of their practical and medicinal uses and the folklore associated with them. I did the quiz to ascertain what Tudor “humour” or temperament I possessed: Phlegmatic is “cold and wet,” someone who is quiet, friendly, sympathetic and prone to worrying. Melancholics were introverted, thoughtful and creative. Sanguine types were lively, sociable and easily bored and those who were Choleric were analytical, logical and determined. There were recipes to help you 
balance your humour, so if you were the cold wet type you were advised to eat hot, dry food such as spiced lamb. The cholerics were recommended a vegetarian salad to cool them down! Whilst this was all good advice, I preferred the lemonade and gin and lime cake from the café!
What sort of Tudor Temperament do you possess? Are you the sociable, adventurous Sanguine person, or the competitive, practical Choleric type? Are you a Melancholic deep thinker or a loyal Phlegmatic? They each have their strengths!
