Nicola Cornick on History, Heroines and Her New Book!

Cara/Andrea here. Today I have the great pleasure of interviewing my good friend and fellow Word Wench Nicola Cornick on her new book, House of Shadows, which releases in the UK and Australia on November 5th! (U.S. readers can purchase it through Book Depository.) It marks an exciting new direction for her, as she branches out from her award-winning Regency romances into a new genre—historical mystery/suspense! It weaves together the story of three women, linked through the centuries by two jeweled artifacts that . . . Oh, but rather than give away any spoilers, let's have Nicola tell us about the story! 

House of Shadows is a big change for you, shifting from Regency romance to historical romantic mystery/suspense. Tell us a little about the challenges.

To begin with I didn’t imagine it would be a big change because I clung to the idea that there was a Regency storyline in the book and thought that would at least give me some familiarity. However despite that I soon realized I was in unchartered waters. There were so many challenges! I’m not a plotter by nature – when I write I’m a total pantser who finds it difficult even to come up with synopsis for a whole book so planning the three different timelines was very difficult for me. The other thing I found very hard was writing a contemporary storyline. Years back I had tried to write contemporary romance and my editor at the time said, very kindly, that I should perhaps stick with historical! So I didn’t approach it with much confidence. I was lucky that one of my writing friends helped me work on the dialogue in particular.

The story weaves in a triple timeline—how on earth did you manage to plan and plot that!

I did think very hard about writing a triple rather than a dual timeline because I knew it would be very complicated to weave it all together. The trouble was that the story as I imagined it needed the three strands to make it complete. I started off thinking that perhaps I could write them all separately and weave them together later – start with the 17th century thread and then the 19th and then the contemporary one. I soon realized that wasn’t going to work for this particular story though because it was so interdependent. So I did what I never normally do and had a big chart with a column for each time period and listed what I thought needed to happen at each point in the story. As I said, I’m not a plotter at all and there were times when I felt like giving up because I became quite confused!

What was the hardest part of writing a new genre? The most fun?

I definitely found structuring the book the hardest part. I was learning so much as I went along, though, so it was worth it (although I wouldn’t have said that at the time!) The most fun for me came from the paranormal elements. It’s part ghost story, part time slip with magic thrown in and I loved writing those scenes.

Here's a short excerpt:

He groped in his pocket and his fingers closed over the black velvet of the box.

“This is for the Princess Elizabeth. A baptismal gift.” He held it out to her.

Mistress Hay did not take the box immediately. A frown creased her brow.

“Would your majesty not prefer to give it to Lady Livingston—”

“No!” James was desperate to be rid of the burden, desperate to be gone. “Take it.” He pushed it at her. The box fell between their hands, springing open, the contents rolling out onto the stone floor.

He heard Mistress Hay gasp.

Few men – or women – had seen either the Sistrin Pearl or the jewelled mirror. The pearl had never been worn and the mirror had never been used. Both were shaped like teardrops. Both shone with an unearthly bluish-white glow, the one seeming a reflection of the other: matched, equal, alike.

The pearl had been borne of water, found in the freshwater oyster beds of the River Tay centuries before, and had been part of the collection of King Alexander I. The mirror had been forged in fire by the glassblowers of Murano, its frame decorated with diamonds of the finest quality and despatched as a gift to James’ mother Mary, Queen of Scots on her marriage. Mary had delighted in the similarity of the two and had had the rich black velvet box made for them.

Yet from the first there had been rumours about both. The Sistrin pearl was said to have formed from the tears of the water goddess Briant and to offer its owner powerful protection, but if its magic was misused it would bring death through water. There were whispers that the Sistrin had caused King Alexander’s wife Sybilla to drown when Alexander had tried to bind its power to his will. The mirror was also a potent charm, but it was said that it would wreak devastation by fire if it were used for corrupt purposes. James was a rational man of science and he did not believe in magic, but something about the jewels set the hairs rising on his neck. If he had been of a superstitious disposition he would have said that it was almost as though he could feel their power like a living thing; crouched, waiting.

You’ve created three very compelling heroines, who at first blush are very different, yet though they live in very different times, share elemental traits. What qualities are you drawn to when creating your women?

I’ve always enjoyed writing heroines who have an inner core of strength that will see them through adversity. Balancing their strengths and their vulnerabilities, seeing them grow as characters, fascinates me. Elizabeth, Lavinia and Holly are all very different in terms of their upbringing, their beliefs and their day to day lives but they all discover resources of integrity to see them through. In their own way I think they are all very honest characters.

You paint such a fascinating picture of the Winter Queen—someone about whom I knew very little—and her court. What drew you to her story?

Elizabeth Stuart, the Winter Queen, is someone whose story has almost been lost from history yet in her day she was hugely influential and I feel her role in the events of the 17th century should be given more credit. Perhaps it’s the old thing of her being a woman and so the (male) chroniclers of the time gave her plenty of praise for being charming and beautiful and a romantic heroine whilst ignoring her diplomatic and political skills. Elizabeth’s story is a gift for a novelist really. It has it all – adventure, intrigue, danger, love… She had a fascinating life.

One of the things that struck me was how seamlessly you blended your historical research with your creative imagination. Can you talk a little about how your real-life work as a curator at Ashdown House inspired the book?

Thank you! Yes, House of Shadows is indeed a work of historical imagination in that I took the “facts” and filled in the gaps and in some cases, which I acknowledge, played fast and loose with reality. Over the years that I have worked at Ashdown I think I have absorbed so much of the history of the house and the people associated with it that I was able to draw on so many small aspects of that to make the whole – I met with a jewelry historian, for example, who had come to look at the pearls depicted in the portrait collection. She was the person who told me about the “cursed” pearl, which Elizabeth’s eldest daughter is wearing in one of the portraits. Then there was the fact that Ashdown is reputedly built on an ancient sacred site and its architecture incorporates a number of aspects that link it to the Order of the Knights of the Rosy Cross… I researched all these different stories as part of my work at Ashdown House and they all came together to inspire me and made their way into House of Shadows. One thing I did change, though. In the book I modeled Ashdown’s destruction on the true story of a different house—Coleshill—built at the same time and in the same style. I’m happy to say that Ashdown House is, of course, still standing and is open to visitors!

Having been lucky enough to read an advance copy, I know readers will be riveted by the story arc of Nicola's three timeslip heroines as they battle personal doubts and fears to stand strong in the face of adversity, even though it means making tough choices. I think we all feel a special bond with heroines and the challenges they face in life—so let's share our thoughts! What qualities do you admire most in a heroine? Nicola will be giving away a copy of House of Shadows to one lucky reader, chosen at random, who leaves a comment here between now and Tuesday evening.

 

Comments

[Renee Armstrong]

You have to like the heroine for a start and I like to see a strong woman but with a soft side !

[Nicola Cornick]

Hi Renee! Thanks for your comment. Yes, I agree, it's important to show a heroine's vulnerabilities as well as her strength. We're all a mixture and it's more realistic to show someone's softer side!

[Mary Jo Putney]

Cara/Andrea and Nicola, what a wonderful interview! That excerpt is pure catnip. *G*

I read up on the Winter Queen a few days ago when you mentioned that she was a character in this book, Nicola. What an amazing woman and an amazing life--and I'd known NOTHING about her! It will be wonderful to see you work you magic on her, Nicola.

[Kathy K]

I like a heroine who is average looking but you don't notice it because she is so intelligent and warm. I have trouble relating to a terribly beautiful woman. But if she is stunningly beautiful, you need to show that there's a downside to that. I like a woman who cares about people and uses her resources to help them, rather than being consumed with fashion and parties. The woman I like is one who is polite to all and with a manner that engenders respect in return.

[Andrea Penrose]

You are in for a real treat, Mary Jo!

[Andrea Penrose]

We wouldn't be human without vulnerabilities. How an author shows us her heroine dealing with them—being brave when she thinks she can't be, making tough decisions no matter how much it hurts—is what makes us cheer her on. I think we all have a feel-good sense of triumph when a strong woman prevails over adversity.

[Andrea Penrose]

You've a painted a wonderful heroine, Kathy! Though I do think beautiful heroines can have compelling vulnerabilities too, and suffer despite their physical attractiveness.Not all beauties are vain, superficial women, and often they ave to fight extra hard to prove that.

[Chris bails]

I like my heroines to be strong and be able to stand up and fight for themselves, but I also like them to have a little softer side. this book sounds awesome. I love this era. I love Kings and Queens. I love it even more when it is a Queen cause then she is the ruler of all.

[Quantum]

Congrats on the new launch Nicola

Sounds an intriguing story .... I like mysteries, I like ghost stories, and I like time travel .... sounds as though I should like this story!

You talk about three time lines with paranormal 'time slip' but I'm not clear whether there is time travel in the normal sense. Does Ben fall through a portal for example .... OK. I clearly have to read it to find out!

What qualities do you admire most in a heroine?

I definitely like my heroines beautiful both in spirit and body .... hey I'm a guy!
But they also need the courage and determination to push the boundaries imposed by history and culture. A woman building a career and making an impact in a man's world is particularly pleasing.

[pearl]

A heroine who has strength of character, intelligence and is principled. This novel sounds captivating and unforgettable.

[Nicola Cornick]

Thank you very much, Mary Jo. Yes, Elizabeth was indeed a remarkable woman and it's a pity her influence on the 17th century has been so overlooked. She was brave, strong and clever. I love that her brother Charles I said he got more sense out of talknig to her than he ever did her husband!

[Nicola Cornick]

That's a really interesting idea, Kathy. I love the way that some people's warmth and generosity of spirit reaches out, so much so that you take to them immediately and respond to that generosity.

[Nicola Cornick]

Thanks, Chris! Yes, it's pretty awesome to be a queen and such an influential one as Elizabeth. She had an amazing life!

[Nicola Cornick]

Thank you, Quantum! No spoilers, but yes there is an element of time travel in the book as well as other supernatural elements too. I hope you will enjoy it very much!

[Nicola Cornick]

Thank you so much, Pearl. I think I had good material to work with in Elizabeth Stuart because she had all of those things.

[Andrea Penrose]

You definitely have to read it, Quantum!
And yes, a woman who has the courage and fortitude to make her way in a man's world is an inspiring heroine!

[ellie]

What an engrossing and fascinating book which is a treasure to read and enjoy. Profound and memorable. I like heroines who mean business and are able to take care of things and be serious and intent upon achieving results.

[Annette Naish]

This does sound like a terrific book with wonderful stories to tell.

I appreciate a heroine who is intelligent and empathetic to the rest of the world. I am not a fan of beautiful heroines who trip through life never knowing there are other people around. I also would like her to have a focus (other than the latest fashion) and a sense of humor is important. I do not believe any woman of any era could survive and thrive unless she could find the humor around her.

[Jenny Haddon]

Goodness, that sounds exciting. Off to order it now. Thank you Nicola. And Cara/Andrea too.

[Mary Jo Putney]

I agree with you, Kathy K. My heroines generall consider their heroines beautiful, but a lot of that is love since they are more likely to be attractive than beautiful. Every now and then I do a heroine who is drop dead gorgeous--and it has ALWAYS caused her real problems. (My September book, Not Always a Saint, is a good example of that.)

[Anne Hoile]

I like a heroine who is a no-nonsense sort, who can go with the flow. Hopefuuly, she is also compassionate and sympathetic to those who are around her, be they friends, relatives or servants.

[Patricia Franzino]

I admire a heroine who rises above adversity through a greater vision of herself to overcome present circumstances in a manifestation of a greater good.

[Shannon]

I love the excerpt, but the accompanying pictures are exquisite. With the exception of the heroines who are too stupid to live and fortunately fairly rare, I find myself enjoying seeing a heroine take on challenges, face her demons, and discover love. She can be a little weak, a little afraid. But then there's that glorious moment when she finds out she's stronger or smarter than she thinks.

[Kathy Church]

I like a strong heroine that can appear soft. One you may underestimate because you think she's too pretty or too simple but is actually very smart.

[Nicola Cornick]

Thanks, Ellie! I like that - a very interesting take on a heroine's resourcefulness.

[Nicola Cornick]

That is so true, Annette! There must have been times when a sense of humour would rescue any heroine from the difficulties of her circumstances.

[Nicola Cornick]

Thank YOU, Jenny!

[Nicola Cornick]

They do say you can tell a person's quality by the way they treat others and I think that must certainly have been the case in the past with servants in particular. Thank you, Anne.

[Nicola Cornick]

Ooh, I love the idea of people underestimating a clever heroine. That really appeals to me. They are in for a surprise!

[Nicola Cornick]

Isn't that moment wonderful, Shannon? You can feel a heroine growing into herself at that point and realising she is stronger than she had ever imagined.

[Nicola Cornick]

Thanks, Patricia. I do like the idea of a heroine whose vision is greater than simply for herself, someone who can also help the world around her.

[Midi]

I value the heroine that inspires me to continue to go over my own edges and stand for my truth, especially when life is at its most challenging and I'm longing to crawl under a stone and hide. In history I felt inspired enough by Frances Viscountess Purbeck to write a novel about her, but it's also great when I meet a heroine in real time: recently I felt Marianne Williamson do that for me at the Parliament of World's Religions when she reminded me: “Living a meaningful life is not a popularity contest. If what you’re saying is always getting applause, you’re probably not yet doing the right stuff.” Good luck with House of Shadows, dear Nicole. So excited to read it!

[Virginia Campbell]

Hi, Nicola--Best Wishes for "House of Shadows"! History & mystery are a divine combination, and romance makes it even more delicious! Heroines who are "smart with a heart" are my favorites. Ladies who are smart and strong, but still with an appealing touch of vulnerability. Add a hero who has the intelligence to appreciate all those qualities, and you have a perfect mix. Lovely cover for "House of Shadows"!

[Andrea Penrose]

So glad you enjoyed the interview, Jenny!

[Andrea Penrose]

Yes, I think humor is VERY important in life, Annette.

[Andrea Penrose]

That's a lovely description, Shannon!I think we all have the strength to surprise ourselves, and romance novels help encourage us to believe that—and that love is a key element to that strength.

[Andrea Penrose]

Smart and heart—I like that, Virginia!

[Laurie Bergh]

You must really do a lot of research before you write a story I am very impressed with that .

[Elaina]

Your time travel historical sounds like an unforgettable experience. Heroines who cherish truth, valor and courage and are willing to stand up for what is right in life.

[Glenda]

This sounds fascinating and complex. I'm going to have to research The Winter Queen. :-) As for what I like in a heroine, above all she can not be perfect in any form or fashion... that is so unrealistic and boring. ;-) She needs to be; likable - or at least become likeable as she grows during the story; intelligent; and strong willed.

[Beth Elliott]

I really want to read this book. Nicola creates wonderful characters and they always sweep me into the story. I prefer a heroine to be caring and talented as well as having the determination to create the life she wants for herself, even in a world where men generally dictate everything.

[Nicola Cornick]

Thank you so much, Midi! I love your ideas about a heroine's true qualities. I love your book about Frances Purbeck as well. Another fascinating 17th century woman!

[Nicola Cornick]

Thank you for the good wishes, Virginia. It is a lovely cover, isn't it! I do love a strong heroine but totally agree they have to have some touch of vulnerability to be real and appealing - after all, most of us do!

[Nicola Cornick]

Thank you, Laurie. Research is one of my favourite things and I love learning more about the era I am writing about.

[Nicola Cornick]

Those are lovely qualities, Elaina. Thank you!

[Nicola Cornick]

Yes, I agree, Glenda. Perfection is unrealistic and then the character has nowhere to go! I much prefer complex heroines who learn and grow.

[Nicola Cornick]

That is the key, isn't it, Beth. Even in a historical world where men generally ruled, there is space for women to be strong in many different ways. Thank you for the lovely comments about my characters too!

[Jane]

I cannot wait to read this book!

[Karin]

I'm late commenting here-but I'm eagerly looking forward to the book!

[Nicola Cornick]

Thank you very much, Jane!

[Nicola Cornick]

Ah, thank you, Karin!