1. How did you start writing? Were you making up stories in kindergarten with a pencil clutched in one chubby fist, or did you come to the trade later?
Walk down memory lane aside, my mother always wanted to be a writer. She told us stories of how her dream was to teach during the school year and write during the summers. I think because of her, I always thought of writing as a dream job.
2. How did you become interested in writing historical novels?
My best friend introduced me to historical romance. We would borrow books from her mother’s shelves. She gravitated toward the westerns while I adored Johanna Lindsey. I loved historicals for the feeling of being transported. If I’m daydreaming about the contemporary world, my thoughts stray back to my job, my commute, my life. If I daydream in a historical setting, the ideas could become a little bit bigger than me and what I had experienced firsthand.
3. What drew you to writing romance in particular?
I had tried writing stories—usually science fiction or fantasy ones with either some little twist or some big adventure. I realized that I didn’t have characters anyone would care about. They were puppetThe books that made me feel the most for the characters were romances. That’s what I wanted in my writing so I tried it. Magically, everything started coming together. There was a reason for characters to be doing things and adventures to be happening.
4. What was the biggest mistake you made when you first began writing?
There’s a reason you shouldn’t be allowed to have an eraser until the second grade. My biggest mistake was rewriting the first chapters. I kept trying to apply things I’d learned and rewrite the opening over and over. My mentor kept on telling me to write forward. When I finally finished the first book two years later, I understood why. By cycling around the same chapters, I wasn’t growing as a writer. Sure, I could polish, but I was polishing crap. Crap can only get so shiny.
5. What do you consider key elements of a great story?
This is tough. I think the key elements are character and the X-factor. I can follow great characters through a bland plot. The X-factor is that feeling that I can’t get this anywhere else. I can’t get this from watching TV or from reading any other author. I can’t get this feeling of being in this time and place any other way. I must read this book because there’s nothing else like it.
6. Are there any trends you hope to see in romance in the next few years?
I would love to see “smart bodice rippers”. Some of the feel of the good stuff from the 80s and 90s, but modernized. Uber-alpha men who are a bit on the insufferable scoundrel side, but matched with a heroine who can hold her own against him. I guess I don’t feel as swept away sometimes by modern romance. It’s like we’re being too safe. I want to read some wild, breathless romance again with sweeping historical settings. And I want to feel like I’m being a little naughty reading it.
7. What is the best part about being a writer? The most frustrating?
I suppose waiting for news is the most frustrating. Nothing moves as fast as you want it to.
8. Would you like to tell us a little about your book?
The hero is a reluctant one. He’s dealing with the guilt of leading his men into an ambush. Stranded in a strange land, he takes on the task of protecting Ai Li as a way to redeem himself. And of course they start falling for each other.
The whole thing was so exhilarating to write. I hope people have as much fun reading it.
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Jeannie Lin’s Golden Heart award-winning novel, Butterfly Swords, will be released October 1 from Harlequin Historical. It received 4-stars from Romantic Times Reviews—“The action never stops, the love story is strong and the historical backdrop is fascinating.”
Join the launch celebration at http://www.butterfly-swords.com for giveaways and special features. Visit Jeannie online at: http://www.jeannielin.com
Jeannie will be giving away a copy of The Butterfly Swords to a random commenter, so please, welcome Jeannie, and send questions her way.