Anne here, with an interview with Jeane Westin, the author of THE VIRGIN'S DAUGHTERS.
Jeane is a writer of historical novels and, like most of us here, is a lifelong passionate reader. I loved this little snippet from her website: "I took books on my honeymoon and I can remember my husband’s puzzlement when he saw me reading The History of Diseases. “It’s interesting,” I explained… difficult for a bridegroom to believe."
Very much the sign of a writer in my opinion.
Jeane has written several popular historical romances, but now has turned to historical novels. The first, THE VIRGIN'S DAUGHTERS, was released this month.
I read THE VIRGIN'S DAUGHTERS in galley form and despite the fact that it was in loose pages, I was unable to put it down and read it all in one hit, finishing in the wee small hours of the night. Jeane's book drew me utterly into the world of Elizabeth 1st's court, through the eyes of two of her ladies in waiting; Katherine Grey (sister of Lady Jane Grey) and Mary Rogers. Each one falls in love, each one in defiance of the queen, yet torn by their love of and loyalty to her. We see the anguish and the power —and the cost— of love for them and for their Queen. It's a wonderful story — or should I say stories, not only because it's in two parts, but because it's also Elizabeth's story, as well as Kate and Mary's. Superb stuff and well worth reading.
The reviewers agree: Historical Novels Review said: "this book gripped me from the earliest pages... I became caught up in the lives of these two relatively unknown ladies of Elizabeth's court, and the way Westin ties both tales together is unique and riveting... Highly recommended." Romantic Times gave it a Top Pick, saying: "Rich, colorful details of court life, captivating characters with suppressed sexuality, scandal and intrigue thrust the reader into the era in this top-notch novel."
Jeane, welcome to the WordWenches. When I first saw the title THE VIRGIN'S DAUGHTERS I wondered if the novel was about some illegitimate daughters of Queen Elizabeth, but it isn't. How did you come by the title?
I believe the days when the wonderful Jean Plaidy could write a straight-on bio-novel are gone. We now have to approach historical figures from the little known...sideways, if you will. Deep in research and trying to come up with a new approach to Elizabeth, I came across a bit of information that Elizabeth had discouraged her ladies-in-waiting from marriage, wanting them to emulate her virgin status. I wondered what that was like: Elizabeth always on guard that they did not become romantically involved and most of her ladies trying to outwit her.
I wed that information with Elizabeth's conceit that all of her ladies were her daughters and that she had a mother's concern for them. (The real mothers of these ladies were not happy when the queen did not provide wealthy young nobles for their daughters to wed, gaining titles and wealth for the family.)
In an Elizabethan court that was sensuous, full of play, dancing, over-dressing, alcohol, young men and younger women--how easy could the queen's job have been? It's no wonder she often failed.
This is a novel about love, rather than a conventional romance. There are two women's love stories in this novel, not counting Elizabeth's. Tell us about Kate and Mary, and why you chose to tell their stories.
Kate's dramatic story is a part of history. Katherine Grey the younger sister of Jane Grey, queen for nine days, was Elizabeth's cousin and Henry VIII had named her next in line for the throne. Any threat to Elizabeth's throne was major in her life...and heirs were always threats because plots constantly formed around them. Elizabeth, as her sister Bloody Mary's heir, had learned that lesson well. When Kate fell in love with a Seymour and another heir, she was... oops, that's a spoiler.
As for Mary Rogers: I brought her to the castle for John Harington, Elizabeth's favorite godson, Boye Jack. He invented the first flush toilet and the situation was so unusual and tempting that I had to include their story. In life, they were rather successfully married, having fifteen children.
In what way do you think the queen's own love stories impacted on the lives of these two women?
They certainly could see her as a woman like themselves and understand her feelings for Robert Dudley and the Earl of Essex. Although both Kate and Mary saw the queen's weaknesses and her strengths, they could also see the price she paid. These two women helped me to see Elizabeth in different ways.
I was struck, as I read the book, by how much the members of the court lived on a knife-edge, depending on how they stood with the queen at any particular moment. A close up of absolute power in action.
I wouldn't say Elizabeth's power was absolute. She had advisers who curbed some of her greater excesses, but she did have the power to make or break and she was loved and hated to excess, both of which gave her personal power. Elizabeth was highly intelligent and enormously well-educated for the time, perhaps a genius. She had to balance that against a psyche that had been warped by her father, her on and off acceptance and rejection by him and the terror of immanent death when she was suspected of plotting by either her brother Edward VI's counselors or her sister Bloody Mary's hatred.
Elizabeth's stay in the Tower where she expecting to be taken to the execution block to be beheaded any morning probably hardened her forever. Wouldn't it change anyone?
I found it fascinating to see Elizabeth portrayed through others' eyes in the novel. It created a wonderfully complex portrait. There have been many different portrayals of Elizabeth over the years, and I suppose that will continue. What's your own view?
She is fascinating, both as queen and as woman. I learn something new about her everyday... and about myself. Something I find interesting is that the earlier a book about her is written the more virginal she is; later books allow her to love, be a witch, a detective, etc. A perfect illustration of our changing times.
I don't see our appetite for Elizabeth and her times dimming, or a time when we will not want to sit down to that feast again.
I loved the scene when Essex bursts in on Elizabeth, unexpectedly. Can you tell the readers a little about it?
It really happened as I wrote it with the emotions added. Since I'm of a certain age, I knew how I would feel...in love with a much younger man, more than thirty years younger, and not expecting to see him before I had my hair done and my face on.
In addition, Essex had disobeyed Elizabeth's orders and she felt threatened that he would bring an army against her.
Again, she defended her throne, although I think it hastened her death two years later from melancholy.
Strange to say it, but I think Essex really loved Elizabeth as much as he could love anyone but himself. But Elizabeth was queen first and woman second.
Do you have a favorite scene in the book?
There are so many. How can I say this without sounding like Elizabeth? I struggled over and love the entire book
The research you did for this must have been difficult, as so little evidence remains. How did you approach it? Was there anything you learned that surprised you?
I researched and researched some more. There is a surprising amount of information that survives. I have shelves of books about every aspect of the period. I was a bit amazed to discover many books already on my own shelves about her or her time. But I ordered and read many out-of-print, some a hundred years old.
The thing I think that surprised me most about Elizabeth was how ill she was during her life. Many of her illnesses during times of stress sound suspiciously like nervous breakdowns, and I suspect she was also a bit anorexic, eating only a few bites at meals. Her eating "smally" was commented on by many biographers quoting contemporaries. (I'm not a doctor, but I play a doctor for this interview.)
She did have a sweet tooth, so much so that she lost teeth and was troubled with toothache. Her favorite sweet was vanilla comfits. She carried them in her pocket and would nibble them all day. There must have been a Groom-of-the-Vanilla Comfits whose job was to keep her supplied. (pic of comfits from http://www.historicfood.com/Comfits.htm)
Would you care to share a short extract?
Anne, here's some of your favorite scene:
The earl, looking the gallant young lord in shining black velvet, starched white ruff and flowing curls, threw himself at the queen’s feet and grasped the hem of her gown, kissing it as if to devour lace, pearls and all.
“Most beloved queen of my heart—” His voice rumbled low and intense, filling the chamber with masculine passion.
He got no further. The queen snatched her gown from his hands and leapt to her feet, her lute landing on the carpeted floor. She backed away from his desperate effort to clutch at her, saying no word, nor calling for her guard. The cold scorn on her face would have frozen any sensible man.
The earl, though off balance, stood upright. Frightened for the queen, Mary came as close to Elizabeth as she dared. If Essex drew his sword to deliver a blow, she would take the thrust.
But it wasn’t Elizabeth who faced danger. The queen did not flinch and advanced on Essex. He held his arms up for her to walk into, but she knocked them wide, pushing her fists against his chest until he stumbled backward.
The earl was obviously astonished. “Majesty! I beg you…speak to me…listen to my sorrow. I have been desolate these eleven months without your love to guide me away from the mistakes of youth and crazed ardor. In truth, your grace—”
The queen advanced again, no sound coming from her, no softening of her cold stare. She showed no hot anger, only hard contempt in every gesture and every line of her face, her corded neck thrust forward. She pushed him again. And again, he stumbled backward, his mouth working, but now no intelligible words exiting. He had obviously relied on the nearness of his person to melt her to forgiveness as it always had.
With one final thrust that must have taken all her strength, she pushed him into the antechamber and slammed the doors in his still unbelieving face.
Mary approached Elizabeth’s back, worried that she might be near collapse from her exertions. “Majesty, may I ease you with a little wine?”
The queen whirled about, her face triumphant. “This crooked carcass needs no food or drink to best such foolish men. He thinks I need him, that I cannot let him go…that he is the stronger,” she said, scarce above a whisper, and then in full voice: “Pish!”
Only Mary heard all the words, and understood their meaning, knowing that they were the best part of the queen’s victory over Essex and her own heart.
Elizabeth crossed to the lute on the floor, picked it up and struck a solid chord, croaking, “…and I the prouder grow.”
What's next for you, Jeane? What are you working on?
Would you believe another Elizabeth book only this one a full exploration of Elizabeth and Robert Dudley, the Earl of Leicester's long love? It comes from NAL, August 2010 and is called His Last Letter: Elizabeth I and the Earl of Leicester.
After The Virgin's Daughters, I wanted to more fully explore Elizabeth's and her Sweet Robin's lives together, yet apart. One way I do this is by imagining that his last letter which she kept in her treasures box until she died had more to it than came down to us. Everyone's question is did they or did they not know full sexual intimacy. I answer it...at least to my satisfaction.
It sounds wonderful. I'm looking forward to it. Thank you so much for joining us, Jeane.
Anne, thanks for the opportunity, but before I go, I want to thank Jo Beverley who wrote once on the Novelists Inc., members' list that the historical novel of the future must have a central great love story. That sent me off on my quest.
Jeane is giving away a copy of The Virgin's Daughters, the winner to be selected from those who comment in answer to this question: What do you find most interesting or puzzling about the Elizabethan Age? Or if you have questions for Jeane, she'd be delighted to answer them.