Today’s blog is another in my occasional series of showing how stories come together. This time I’m dissecting the second in my contemporary romance series: the book what was once called The Spiral Path and I recently renamed Phoenix Falling in the relaunched Starting Over Series.
Setting the Scene:
My historical series are all built around men who became friends as schoolboys, so I decided to build my contemporary series around a group of female friends. They met as girls at a real school, Baltimore’s Friends School, which is a Quaker institution, though students come from all backgrounds.
Why Baltimore? Because writing contemporary would represent so many challenges in other areas that I thought it would be nice not to spend much time researching the setting. Hence, using my home town, Baltimore, which has texture and character and might seem exotic to people who've never been here. <G>
One inspiration for the story was reading in the Baltimore Sun about Cass Elliot (real name: Ellen Naomi Cohen), one of the singers in the famous 60’s rock group, the Mamas and the Papas.
Cass died at age 32, leaving a daughter by an unknown father. The girl was sent back East to be raised by Cass’s family. That gave me the idea for a heroine whose mother was a famous rock singer who died too young, leaving a child who was sent to Baltimore to live with her cold, disapproving grandparents.
Hence, Raine Marlowe, real name Rainbow. Rainey survived emotionally because of the friendships she formed at school and she stays in touch with Kate and Val and the others. But she has talent and desire, so off she goes to Hollywood to become an actress.
I'm not sure why I decided on a Hollywood/movie making set-up, but I liked the idea of writing about creative process, and what kind of people do the hard work of creating the magic. The book begins with Rainey approaching her estranged husband, Kenzie Scott, to ask if he’ll star in the movie she wants to make from a Victorian novel that she loves. The Centurion is about an officer in one of Queen Victoria’s “little wars,” and the terrible price that is paid for empire. Though I invented the novel, the little wars were real enough, and so is the cost of empire.
After separating from Kenzie, Rainey had thrown herself into writing a script and putting together a budget as a distraction from her pain. But in order to get the financing, she needs a “bankable” star—and Kenzie is a superstar, as well as a contender for my most tortured hero ever. Think Pierce Brosnan in his 30s—gorgeous, enigmatic, and very British.
The story is about a lot of things, and one of the central questions is how can two people build a lasting relationship in the middle of the craziness of celebrity. Rainey is a successful Oscar nominated actress, while Kenzie is a tabloid darling whose every date becomes fodder for speculation.
Rainey and Kenzie fall in love and impulsively marry after they finish making a new version of The Scarlet Pimpernel together. The love and caring are real, but the pressures and separations crack their marriage.
But because Rainey needs Kenzie and he can't say no to her, he agrees to do the movie without even reading the script. Which turns out to be a terrible mistake, since the central conflict of The Centurion cuts dangerously close to the horrors of his childhood. Playing John Randall, the brave, tormented British officer, brings Kenzie closer and closer to the breaking point.
The situation is worsened when the actress cast as the love interest quits before shooting begins, and Rainey must take on the role herself. It turns out that the heroine, Sarah Masterson, has a loving loyalty which freaks Rainey out because of her personal commitment issues.
If that isn't bad enough, just as shooting wraps up, a British paparazzo with an apparent grudge against Kenzie explodes a scandalous accusation that pushes Kenzie over the edge.
Rainey moves in to protect her husband, not knowing if the story is true or not, and not really caring. She’s never stopped loving Kenzie, and she’ll do anything to save his sanity. They retreat to the remote New Mexican ranch that he’d bought on impulse. There the layers of pain and secrets are revealed, and the healing begins.
I love this story, and the research was immense. I read all kinds of memoirs like screenwriter William Goldman’s witty, informative Adventures in the Screen Trade and Emma Thompson’s The Sense and Sensibility Screenplay and Diaries, in which she recounts all the work that went into her Oscar winning screenplay for Jane Austen’s famous novel, and what it was like to play the lead in the movie after she’d written the script.
Also, a friend of mine is the sister-in-law of a director who was shooting a movie in Baltimore, and she was able to get me onto the set for a day. (Shooting a movie is a really, really boring process, I learned. <G>)
I talked to a young woman who had been a Hollywood personal assistant, a class of people who are like magical elves, doing anything and everything necessary to make a star’s life run smoothly.
I had once read about a B&B carved into a cliff in New Mexico, and thought, “Wouldn’t that be a great place for Rainey and Kenzie to go for a few hours of peace and quiet!”
I'd also read about a monastery far off the beaten path in northern New Mexico. The Benedictine Monastery of Christ in the Desert was literally the very first site I visited back in the ‘90s when I got an internet capable computer. I used the monastery for Tom Corsi, a secondary character in Stirring the Embers. He's living in the monastery as a novice and trying to decide whether or not to take final vows. A warm and tolerant man, he’s there when Rainey needs to talk.
One of the most important elements was the labyrinth, which became the central metaphor for the book, and which provided the original title for the book, The Spiral Path. I’ve blogged about labyrinths in the past, and the symbolism is perfect for the complicated relationship between Rainey and Kenzie. Plus, there is a real labyrinth that Kenzie makes as he comes to terms with his painful past.
The research was fascinating, but the heart of the story is two complicated people trying to rebuild the loving marriage that they both desperately need. Is there a happy ending? Of course! My stories are always about healing and reconciliation, and never more than in Phoenix Falling.
What’s behind the new title? I think of Kenzie as like a phoenix who'd built a soaring and successful life from the ashes of a catastrophic childhood. When his life is shattered again, will he have the strength to rebuild?
With Rainey’s love and understanding, yes. Here’s an excerpt of Rainey’s first meeting with Kenzie.
I’ll be giving a copy of the original print edition of The Spiral Path to one person who leaves a comment between now and midnight Tuesday. Or if you’re impatient, you can download the e-book of Phoenix Falling from any of the major online bookstores. If you do read the story, I hope you love Kenzie and Rainey as much as I do.